Lhasa

Lhasa+de+Sela 

Track I wrote for Lhasa is shaping up nicely so far, I think – always surprised when the country music comes creeping in! 

Previewing this & some other unsung stuff on the 22nd February in London. 

essence

“My greatest challenge is to get to the essence of the situation and not to destroy it.  Try to record it, to take it, film it in such a way that when I project it, the mood, the atmosphere of that situation is still there.  And that is not easy, I’ve discovered.  You have to choose the right moment and do it, catch it. How, I cannot tell you.  It’s something to feel because it’s invisible, but could also be visible.”  

— Jonas Mekas

Silvern

Admittedly, it came into my hands a bit late, but the incredibly talented Jess Bryant has released one of the most beautiful & generous albums I’ve heard in a very long time!  A bold, authentic, and surprising work from start to finish. The album is available from Red Deer Club here.   

“Language

… is a technology.  Imagine that.  It’s an add-on.  We used to point and make mouth noises.  Terence McKenna said that language gave us our first chance to lie. Before language, lying was almost impossible to get away with. They took one look at you and just knew.” – Leslie Winer

Here for the full article by Wyndham Wallace on trip-hop pioneer Leslie Winer.

Wonder City


It is a great pleasure to announce that our friend & long-time collaborator J. Allen’s solo debut ‘Wonder City’ is out today!

The album is an epic, atmospheric collection of lo-fi gems, and was written, played, and recorded by J himself in his Brooklyn apartment.   

You can buy it here (if you dig CDs) and here (if you prefer MP3s.)

Be sure to catch him live this month on his Wonder City tour.

I Had a Ruby

Imperfect, beautiful like faceted blood.  It came from India where they wash up on the shore.  Thousands of them — the beads of sorrow.  Little droplets that somehow became gems gathered by beggars who trade them for rice.  Whenever I stared into its depths I felt overcome, for caught within my little gem was more misery and hope than one could fathom.

It frightened and inspired, and I kept it in my sack, a waxed yellow packet the size and shape of a razor blade.  I’d stop and take it out and look at it.  I did this so often it was no longer necessary to see what I was looking at.  And because of this I can not say for certain when it disappeared.

I can still see it though.  I see it on the foreheads of the women.  In the poet’s hollow.  I see it at the throat of a diva and in the palm of the deserter.  Pressing against a wire fence.  A drop of blood on a calico dress.  I open my bundle and dump the contents in the furrows of the earth.  Nothing — an old spoon, a rudder, the remains of a walkie-talkie.  Spreading the cloth to rest upon I take breaths as long as the furrows.  As if to quell the spirits; hold them from shaking and clanging.

  — Patti Smith (Woolgathering)